Robert notes that “Billy came up for Soundscapes. Wonderful playing again, and a different approach.” Arriving after three minutes into Distant Wails In Paradise Lost, Sheehan provides some agile somersaults across the fretboard of his bass, with Robert adding some pointed notes of the dark and heavy variety for good measure.
It would appear that the Volkhaus crowd agreed with Fripp’s assessment of Sheehan’s playing. This observation from Mario: What a gig !!! It started with a strange but interesting composition by Robert Fripp. The audience didn't enjoy it at first, but then Billy Shehan stepped out of the dark to improvvise with Rob and Booooooooooooom , the audience exploded !!!” Indeed, their applause can clearly be heard as the music as Sheehan’s last chord bites down and we enter the smoldering Coda.
It would appear that the Volkhaus crowd agreed with Fripp’s assessment of Sheehan’s playing. This observation from Mario: What a gig !!! It started with a strange but interesting composition by Robert Fripp. The audience didn't enjoy it at first, but then Billy Shehan stepped out of the dark to improvvise with Rob and Booooooooooooom , the audience exploded !!!” Indeed, their applause can clearly be heard as the music as Sheehan’s last chord bites down and we enter the smoldering Coda.
