DISCOGRAPHY

ALBUM

DESCRIPTION

PURCHASE

2024

King Crimson Mr Stormy's Monday Selection Vol. 13

Welcome to Mr Stormy's recent discoveries from the depths of the DGM archive, all added together in this super collection. This is the thirteenth volume in this incredible series, and this collection has some very fine pieces within it. Excavated treats from the murky, cavernous archives, mostly, in this instance taken from the multi-track reels of tape that have been digitised over the years, and archived to hard drives! In the deep distant past, we only used to offer these as MP3s, but now for your delight and fetishization, can be suffered & enjoyed in full FLAC quality. In the future these wonderful tracks will made available on CD through the Inner knot online store, in fact Volume 1 to 10 already are! <a href="https://shop.schizoidshop.com/mr-stormys-monday-selection-volume-1-p1779.aspx">Click Here, Stormy Volume 1</a> For full details of individual tracks see original listings : <a href="https://www.dgmlive.com/tour-dates/2606">Exiles </a> , <a href="https://www.dgmlive.com/tour-dates/2623">One Time Tronics</a> , <a href="https://www.dgmlive.com/tour-dates/2626">The ConstruKction Of Light Rehearsals </a> , <a href="https://www.dgmlive.com/tour-dates/2630">Tony Bill And Robert </a> , <a href="https://www.dgmlive.com/tour-dates/2632">John Wetton - Larks' Part One 4/4 section remake Take 16 </a> , <a href="https://www.dgmlive.com/tour-dates/2644">The Power To Believe III </a> , <a href="https://www.dgmlive.com/tour-dates/2646">Christian Children Marching Singing </a> , <a href="https://www.dgmlive.com/tour-dates/2649">David John Bill And Jamie</a> ,<a href="https://www.dgmlive.com/tour-dates/2654">Pat And Robert Zoned</a> , <a href="https://www.dgmlive.com/tour-dates/2661">Larks' Tongues In Aspic Part III</a>, <a href="https://www.dgmlive.com/tour-dates/2663">The Howler</a> , <a href="https://www.dgmlive.com/tour-dates/2677">Eye Needles</a> , If you haven't checked them out already, you can pick up <a href="https://www.dgmlive.com/tour-dates/1226">Volume One</a>, <a href="https://www.dgmlive.com/tour-dates/1559">Volume Two</a>, <a href="https://www.dgmlive.com/tour-dates/1657">Volume Three</a>, <a href="https://www.dgmlive.com/tour-dates/1697">Volume Four</a>, <a href="https://www.dgmlive.com/tour-dates/1739">Volume Five</a>, <a href="https://www.dgmlive.com/tour-dates/1784">Volume Six</a>, <a href="https://www.dgmlive.com/tour-dates/1823">Volume Seven</a>, <a href="https://www.dgmlive.com/tour-dates/1926">Volume Eight</a>, <a href="https://www.dgmlive.com/tour-dates/2482">Volume Nine</a>, <a href="https://www.dgmlive.com/tour-dates/2484">Volume Ten</a>, <a href="https://www.dgmlive.com/tour-dates/2564">Volume Eleven</a> and <a href="https://www.dgmlive.com/tour-dates/2631">Volume Twelve</a> for your further fetishization!
2023

King Crimson Mr Stormy's Monday Selection Vol. 12

Welcome to Mr Stormy's recent discoveries from the depths of the DGM archive, all added together in this super collection. This is the twelfth volume in this wonderful series, and this collection has some very fine pieces within it. Excavated treats from the murky, cavernous archives, mostly, in this instance taken from the multi-track reels of tape that have been digitised over the years, and archived to hard drives! In the deep distant past, we only used to offer these as MP3s, but now for your delight and fetishization, can be suffered & enjoyed in full FLAC quality. In the future these wonderful tracks will made available on CD through the Inner knot online store, in fact Volume 1 to 7 already are! <a href="https://shop.schizoidshop.com/mr-stormys-monday-selection-volume-1-p1779.aspx">Click Here, Stormy Volume 1</a> For full details of individual tracks see original listings : <a href="https://www.dgmlive.com/tour-dates/2567">21st Century Sailor's Tale</a> , <a hre"https://www.dgmlive.com/tour-dates/2568">Bill And John (Improv Asbury Park)</a> , <a href="https://www.dgmlive.com/tour-dates/2571">Man With An Open Heart (Alt Take) </a> , <a href="https://www.dgmlive.com/tour-dates/2572">Easy Money (John And Jakko Duo) </a> , <a href="https://www.dgmlive.com/tour-dates/2573">VROOOM (Double Trios)</a> , <a href="https://www.dgmlive.com/tour-dates/2590">Cat Food (With Jeremy And Mel) </a> , <a href="https://www.dgmlive.com/tour-dates/2595">Starless (Trio Version)</a> , <a href="https://www.dgmlive.com/tour-dates/2597">The Great Deceiver (Dub)</a> , <a href="https://www.dgmlive.com/tour-dates/2598">Robert And Trey </a> , <a href="https://www.dgmlive.com/tour-dates/2601">Into The Frying Pan (Vox And Guitars) </a> <a href="https://www.dgmlive.com/tour-dates/2602">Pictures Of A City</a> , <a href="https://www.dgmlive.com/tour-dates/2605">Cadence Kudasai</a> , If you haven't checked them out already, you can pick up <a href="https://www.dgmlive.com/tour-dates/1226">Volume One</a>, <a href="https://www.dgmlive.com/tour-dates/1559">Volume Two</a>, <a href="https://www.dgmlive.com/tour-dates/1657">Volume Three</a>, <a href="https://www.dgmlive.com/tour-dates/1697">Volume Four</a>, <a href="https://www.dgmlive.com/tour-dates/1739">Volume Five</a>, <a href="https://www.dgmlive.com/tour-dates/1784">Volume Six</a>, <a href="https://www.dgmlive.com/tour-dates/1823">Volume Seven</a>, <a href="https://www.dgmlive.com/tour-dates/1926">Volume Eight</a>, <a href="https://www.dgmlive.com/tour-dates/2482">Volume Nine</a>, <a href="https://www.dgmlive.com/tour-dates/2484">Volume Ten</a> And <a href="https://www.dgmlive.com/tour-dates/2564">Volume Eleven</a> for your further fetishization!
2023

King Crimson Pat And Robert Zoned

Radical Dance was a sadly short-lived experiment in 1998 that combined Robert Fripp’s soundscapes and Pat Mastelotto’s hybrid brand of electronica-laced percussion and grooves. On this occasion, a third party in the shape of DGM’s Alex Mundy has created a new amalgamation that imagines RF’s werning and twerning, originally from May 20th 2009, reaching back through the time streams to connect with Pat Mastelotto’s wonderfully undulating drum loop generated on 5th March 2002. It’s always interesting to hear soundscaping conjoined with another instrumental presence, creating something fresh and new.
2023

King Crimson Exiles

The recording sessions for Larks’ Tongues In Aspic capture some of the flexibility that the new line-up enjoyed during their rehearsing and subsequent tour of the previous year. At the front of the track, Jamie Muir’s atmospheric rubbing glass rods with oily cloths and what sounds like an overdubbed zither exemplifies the creative approach to developing the feeling of the piece and it’s interesting to note that Fripp has a very clear idea about how much of it should be used in the final mix. David Cross is playing flute though he was uncredited on the sleeve of the album and while not all of the flute heard in this take, or indeed the viola in the introduction, made it into the final mix it confirms again the exploratory aspects of the process at that time. John Wetton’s piano during the middle section was similarly left uncredited on the finished album. However, it’s lovely to be able to hear in greater detail the richness in tone and mood that it adds to the finished track. Finally, Fripp’s acoustic guitar, bright and crisp in sound, with decorative twinkling harmonics, is nevertheless steeped in melancholia that reflects the song’s subject matter, his delicate picking knitting the whole piece together.
2022

King Crimson Cadence Kudasai

It could be argued that the first officially released King Crimson mash-ups, wherein one era of Crimson is juxtaposed with another, appeared when the chorus of The Court Of The Court Of The Crimson suddenly rose up out of the chaos and turbulence of the closing moments of The Devil’s Triangle from In The Wake Of Poseidon. Such proto-sampling aside, the first timeline crossings proper were to be found on the Frame By Frame box. Released in 1991, it saw Adrian Belew’s vocals replacing those on the 1970 recording of Cadence And Cascade, while Tony Levin renewed the bass of the original Bolero from Lizard. Here, Alex Mundy’s audio alchemy has Mel Collins and Gordon Haskell from 1970’s Poseidon sessions, spinning forward just over a decade to meet with Belew, Levin, Bruford, and Fripp as they recorded 1981’s recording of Matte Kudasai. The result is a series of happy accidents in a beguiling mix that goes some way towards answering the oft-posed question of what 80s KC might have sounded like had a woodwind player been invited to join.
2022

King Crimson Mr Stormy's Monday Selection Vol. 11

Happy New Year, and welcome to Mr Stormy's recent discoveries from the depths of the DGM archive, all added together in this bumper collection. This is the eleventh volume of these wonderful gems, and this collection has some very fine pieces within it. Unearthed treats from the murky, cavernous archives, mostly, in this instance taken from the multi-track reels of tape that have been digitised over the years, and archived to hard drives! In the deep distant past, we only used to offer these as MP3s, but now for your delight and fetishization, can be suffered & enjoyed in full FLAC quality. In the future these wonderful tracks will made available on CD through the Inner knot online store, in fact Volume 1 to 7 already are! <a href="https://shop.schizoidshop.com/mr-stormys-monday-selection-volume-1-p1779.aspx">Click Here, Stormy Volume 1</a> For full details of individual tracks see original listings : <a href="https://www.dgmlive.com/tour-dates/2487">Exiles (Foldback Mix)</a> , <a href="https://www.dgmlive.com/tour-dates/2493">Did We Make The Album? </a> , <a href="https://www.dgmlive.com/tour-dates/2500">Solo Scape And Drums </a> , <a href="https://www.dgmlive.com/tour-dates/2504">Islands (Instrumental) </a> , <a href="https://www.dgmlive.com/tour-dates/2505">Requiem (Alt Intro)</a> , <a href="https://www.dgmlive.com/tour-dates/2535">The Great Deceiver (Outtakes) </a> , <a href="https://www.dgmlive.com/tour-dates/2544">Virtuous Circle (Alt Vox Mix) </a> , <a href="https://www.dgmlive.com/tour-dates/2545">Fallen Angel (Instrumental) </a> , <a href="https://www.dgmlive.com/tour-dates/2546">Larks' Tongues In Aspic Part III (Alt Mix) </a> , <a href="https://www.dgmlive.com/tour-dates/2549">Ladies Of The Road (Instrumental) </a> <a href="https://www.dgmlive.com/tour-dates/2552">Elephant Talk (Stick, Drums And Vocal Mix) </a> , <a href="https://www.dgmlive.com/tour-dates/2563">People (Adrian And Robert Mix) </a> , If you haven't checked them out already, you can pick up <a href="https://www.dgmlive.com/tour-dates/1226">Volume One</a>, <a href="https://www.dgmlive.com/tour-dates/1559">Volume Two</a>, <a href="https://www.dgmlive.com/tour-dates/1657">Volume Three</a>, <a href="https://www.dgmlive.com/tour-dates/1697">Volume Four</a>, <a href="https://www.dgmlive.com/tour-dates/1739">Volume Five</a>, <a href="https://www.dgmlive.com/tour-dates/1784">Volume Six</a>, <a href="https://www.dgmlive.com/tour-dates/1823">Volume Seven</a>, <a href="https://www.dgmlive.com/tour-dates/1926">Volume Eight</a>, <a href="https://www.dgmlive.com/tour-dates/2482">Volume Nine</a> And <a href="https://www.dgmlive.com/tour-dates/2484">Volume Ten</a> for your further fetishization!
2022

King Crimson 21st Century Sailor's Tale

Taking different points in the King Crimson and Robert Fripp timeline and mixing them together has been something of a specialty of Alex ‘Stormy’ Mundy over the years. This particular reimagining puts Michael Giles and Boz Burrell together with the drum parts of 21st Century Schizoid Man with the bass line of Sailor’s Tale. Alongside the frantic drum and bass gallop comes the ebb and flow of the original Sailor’s Tale guitar part, a yearning Frippertronics solo from 6th Aug 1981, and gorgeous, languid clouds of soundscape taken from Music For Quiet Moments 45 recorded in Paris 2015. Bringing separate moments from four different decades in Crimhistory into one brand new sonic space required some hefty manipulation from Mr.Stormy but the means certainly justifies the ends. Flac audio 44/24
2022

King Crimson Bill And John (Improv Asbury Park)

This close-up shot of the ‘Flying Brick Wall’ as Fripp once dubbed the Wetton/Bruford team, is a graphic representation of the solidity and simpatico of their playing. In circumstances where the only guide point prior to starting is the guitarist shouting out the key (F, for all you trivia fans), the absolute fearlessness in their approach was a key factor in making King Crimson improvisations of the period such an exciting prospect.
2022

King Crimson Man With An Open Heart (Alt Take)

In January 1983 King Crimson was a band in search of an album. That journey had taken them to CV Lloyde music store in downtown Champaign, Illinois to work on the follow-up to Beat. This early version of Man With An Open Heart has a round-the-campfire intimacy to it. For a split second, you could fool yourself into thinking you were about to hear an outtake of John Martyn’s sepulchral Solid Air as Adrian strums his acoustic guitar on the intro. A lovely and unexpected glimpse into the life of a song in its early stages before its sonic embellishments and ultimate final form for Three Of A Perfect Pair at Bearsville Studios later in the year. The flac is 44/24
2022

King Crimson Easy Money (John And Jakko Duo)

Mister Stormy has once again twisted the Crimson time-streams to mix up different times, places, and performances on the King Crimson calendar. What we initially hear is 1973 in London’s Command Studios and Larks’ Tongues quintet but they are quickly joined by Jakko Jakszyk and Tony Levin’s voices on the scat intro from a live performance in Paris 2016. The Crimson space-time continuum is cleverly mixed further still as Robert Fripp’s original soloing is juxtaposed with his take on the solo space 43 years later, also captured on stage in Paris. As John and Jakko swap lead vocals on the verses it’s tempting to think this could be a previously unheard rehearsal of a proposed lineup that included John Wetton, Mel Collins, Jakko Jakszyk, and Gavin Harrison. Although those four did indeed meet around the DGM kitchen table to talk about playing KC repertoire in 2013, nothing came of it. Until now?
Mr Stormy's Monday Selection Vol. 13
Mr Stormy's Monday Selection Vol. 13
King Crimson
2024
Welcome to Mr Stormy's recent discoveries from the depths of the DGM archive, all added together in this super collection. This is the thirteenth volume in this incredible series, and this collection has some very fine pieces within it. Excavated treats from the murky, cavernous archives, mostly, in this instance taken from the multi-track...
Mr Stormy's Monday Selection Vol. 12
Mr Stormy's Monday Selection Vol. 12
King Crimson
2023
Welcome to Mr Stormy's recent discoveries from the depths of the DGM archive, all added together in this super collection. This is the twelfth volume in this wonderful series, and this collection has some very fine pieces within it. Excavated treats from the murky, cavernous archives, mostly, in this instance taken from the multi-track reels...
Pat And Robert Zoned
Pat And Robert Zoned
King Crimson
2023
Radical Dance was a sadly short-lived experiment in 1998 that combined Robert Fripp’s soundscapes and Pat Mastelotto’s hybrid brand of electronica-laced percussion and grooves. On this occasion, a third party in the shape of DGM’s Alex Mundy has created a new amalgamation that imagines RF’s werning and twerning, originally from May 20th...
Exiles
Exiles
King Crimson
2023
The recording sessions for Larks’ Tongues In Aspic capture some of the flexibility that the new line-up enjoyed during their rehearsing and subsequent tour of the previous year. At the front of the track, Jamie Muir’s atmospheric rubbing glass rods with oily cloths and what sounds like an overdubbed zither exemplifies the creative approach...
Cadence Kudasai
Cadence Kudasai
King Crimson
2022
It could be argued that the first officially released King Crimson mash-ups, wherein one era of Crimson is juxtaposed with another, appeared when the chorus of The Court Of The Court Of The Crimson suddenly rose up out of the chaos and turbulence of the closing moments of The Devil’s Triangle from In The Wake Of Poseidon. Such proto...
Mr Stormy's Monday Selection Vol. 11
Mr Stormy's Monday Selection Vol. 11
King Crimson
2022
Happy New Year, and welcome to Mr Stormy's recent discoveries from the depths of the DGM archive, all added together in this bumper collection. This is the eleventh volume of these wonderful gems, and this collection has some very fine pieces within it. Unearthed treats from the murky, cavernous archives, mostly, in this instance taken from...
21st Century Sailor's Tale
21st Century Sailor's Tale
King Crimson
2022
Taking different points in the King Crimson and Robert Fripp timeline and mixing them together has been something of a specialty of Alex ‘Stormy’ Mundy over the years. This particular reimagining puts Michael Giles and Boz Burrell together with the drum parts of 21st Century Schizoid Man with the bass line of Sailor’s Tale. Alongside...
Bill And John (Improv Asbury Park)
Bill And John (Improv Asbury Park)
King Crimson
2022
This close-up shot of the ‘Flying Brick Wall’ as Fripp once dubbed the Wetton/Bruford team, is a graphic representation of the solidity and simpatico of their playing. In circumstances where the only guide point prior to starting is the guitarist shouting out the key (F, for all you trivia fans), the absolute fearlessness in their approach...
Man With An Open Heart (Alt Take)
Man With An Open Heart (Alt Take)
King Crimson
2022
In January 1983 King Crimson was a band in search of an album. That journey had taken them to CV Lloyde music store in downtown Champaign, Illinois to work on the follow-up to Beat. This early version of Man With An Open Heart has a round-the-campfire intimacy to it. For a split second, you could fool yourself into thinking you were about to...
Easy Money (John And Jakko Duo)
Easy Money (John And Jakko Duo)
King Crimson
2022
Mister Stormy has once again twisted the Crimson time-streams to mix up different times, places, and performances on the King Crimson calendar. What we initially hear is 1973 in London’s Command Studios and Larks’ Tongues quintet but they are quickly joined by Jakko Jakszyk and Tony Levin’s voices on the scat intro from a live performance...
DISCOVER THE DGM HISTORY
.

1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
.