DGM Live

TRACK	TIME
Loop I	05:01
Loop II	05:52
Loop III	07:53
Loop IV	09:02
Lecture Pt I*	42:03
Loop I And Solo	05:09
Loop II And Solo	06:19
Lecture Pt II*	17:49
Loop III And Solo	08:07
Loop IV And Solo	08:58

DATE	CITY	VENUE NAME
1983-03-23	New Haven	Toad's Place
1983-03-02	San Diego	Mandeville Auditorium,
1983-03-03	Los Angeles	The Roxy First Performance
1983-03-04	San Francisco	McKennan Theatre, S.U. 2nd Lecture
1983-03-06	Berkeley	Wheeler Auditorium, U.C.
1983-03-08	Tempe	Neeb Hall, U of Arizona 1st and 2nd Lecture
1983-03-10	New Brunswick	Rose Room, Rutgers U.
1983-03-11	Stony Brook	Union Auditorium, Stony Brook U.
1983-03-12	Princeton	Alexander Hall, Princeton U.
1983-03-22	Boston	Paradise First Performance
1983-03-26	Guelph	University of Guelph
1983-03-27	Waterloo	Theatre of Arts, Waterloo U. 1st Lecture
1983-03-28	London	Althouse Theatre, U of Western Ontario
1983-03-29	Ottawa	Theatre A, Carelton University
1983-03-30	Montreal	McGill University
1983-04-01	Toronto	University of Toronto 1st Lecture
1983-03-15	Washington	Gaston Hall, Georgetown University
1983-03-22	Boston	Paradise Second Performance
1983-03-03	Los Angeles	The Roxy 2nd Lecture
1983-03-27	Waterloo	Theatre of Arts, Waterloo U. 2nd Lecture
1983-04-01	Toronto	University of Toronto 2nd Lecture
1983-03-04	San Francisco	McKennan Theatre, S.U. 1st Lecture

Frank Zappa asked once, and it used to happen that humor in music and the music of King Crimson - Robert Fripp do not encounter frequently.This Fripperlecture is on of those days humor and music met. The audience and the artist seem to have been in the "right" mood. On addition, if you pick this release, you will receive a fine British English training for free. A lot of the vocabulary found its way to my training cards, and I try to get hold on some of the very special phras...

The last two pieces are worth the price of admission. The last piece has some nice soloing over an interesting throbbing bed of puissant tones. Even on the earlier pieces, it’s quite cool to hear the layering of individually non-compelling bleeps build up into beautiful melodic phrases. This Georgetown musical performance is in some ways more visceral and exploratory than the Princeton performance 3 days prior. The Princeton performance (or at least the recording of it) doesn’t have mu...

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