DGM Live

TRACK	TIME
Unknown I	14:36
Unknown II	11:18
Unknown III	05:44
Unknown IV	07:36
Unknown V	14:46

DATE	CITY	VENUE NAME
1979-05-07	Amsterdam	Theatre Populier
1979-05-08	Amsterdam	RAF Records
1979-05-09	Brussels	The Club
1979-05-17	Stockholm	Malmen Club
1979-05-18	Copenhagen	Wintergarden, Carlsberg Glyptotek
1979-05-22	Munich	D.G.G. Offices
1979-05-23	Paris	Polydor
1979-05-24	Paris	Theatre Le Palace
1979-05-25	Paris	Theatre Le Palace
1979-05-26	Paris	Theatre Le Palace
1979-05-27	Paris	Theatre Le Palace
1979-05-28	Hamburg	Schallplatten Record Store
1979-05-29	Zurich	Kammertheater
1979-05-08	Amsterdam	Boudisque
1979-05-19	New York	Saturday Night Live
1979-06-01	Madrid Playback Only	Philips Industries conference hall
1979-05-12	Paris	Le Trompe l'Oiel
1979-05-13	Paris	Le Trompe l'Oiel
1979-05-25	Paris	The Music Box
1979-05-28	Hamburg	D.G.G Offices

Written by Galen Herod

Live tracks can easily be backing tracks for studio projects

These were what was recorded direct to tape (not a room microphone) to create the Frippertronics in the first place. The same way they are made in the studio. No difference. There is no reason they could/would not have been used as backing or starter tracks.

Written by Brian Polli

Hypnotic

I've always really loved the track God Saved the King, but never thought to delve too much further into the Frippertronics period until now. I feel well rewarded. This is a remarkably hypnotic set. Am so happy to have discovered it.

Written by Fabio Palmieri

'God Save The Queen / Under Heavy Manners' re-discovered

4 tracks out of 5 are the performances which became 'God Save The Queen / Under Heavy Manners' In detail: Unknown I is '1983' Unknown II is 'God Save The Queen' Unknown IV is 'Red two Scorer' Unknown V is the backing frippetronics to "The Zero of The Signified' It is possible they're running at a lower speed than the original ones (half a tone in musical terms, but the only comparison available to me is a vinyl rip-off on YouTube). It's good to have them in digital format, since the origi...

Written by Jeremy Keens

Agree with other reviewer

While this is a great set, I don’t think it is from this tour. All of the others are much fuller frippertronics, closer to Heavenly Music, while this is more like the loops created in the first half of later tours (like the 81 set). More like a bedding loop to solo over. Agree with their similarity identifications.

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