Beacon Theater New York United States

AUDIO SOURCE: Soundboard Dat Tape

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

“Man, I can just smell the testosterone in this room. At least I think that’s what I can smell” wisecracks Belew when the band arrive in New York for the penultimate gig of the tour. It’s a confident Crimson on display tonight, as might well be expected given the amount of dates they’d put under their belt before tonight. Even so, there are a few moments where the band have to cope with some bumps in the playing that threaten to unsettle the mood. There's certainly some evidence of the band being a touch tired at this point as the energy levels ebb and flow.

One ET correspondent, Michael Russell shared his thoughts on the concert the very next day. “It's funny, but Crimson truly did seem to be a double duo last night: a fun duo (Pat and Adrian) and a serious duo (Trey and Robert). Pat reminded me of Bill Bruford in spirit: both of them just LOVE to play. Pat exuded the same sheer delight with bashing and crashing, though in terms of style, he's very much his own man. Adrian's broad grin on "Thela" and "Part IV" was also quite winning. In spirit, Adrian and Pat were communicating a pleasure in the moment that helped make the link for me. Adrian's musical role was akin to his grin; he was repeatedly a Puckish, lighthearted foil for the stoic Fripp.

Stoicism was truly the hallmark of the serious duo: both Robert and Trey wore "Guitar Craft Face" for a good part of the evening. They were both very muddy in the mix at first, and frankly, I was straining to hear Robert at several points troughout the gig. I was seated far over to one side, and my left ear is shot today as a result; that could have been part of the problem. That said, both are instrumental monsters and certainly lived up to their reputations last night. Trey's "Thrush" bit never fails to move me, and Robert's blistering "Part IV" was utterly magnificent. Robert's economy of movement at frenetic fairy fingers moments has always struck me as elegant. If he prefers to face the band more than the audience to facilitate that, then so be it.”
Beacon Theater New York United States

AUDIO SOURCE: Soundboard Dat Tape

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

TRACK
TIME
01
Dangerous Curves
03:59
02
Into The Frying Pan
07:10
03
ELEKTRIK
08:12
04
The ConstruKction Of Light
09:24
05
Thela Hun Ginjeet
05:46
06
Dinosaur
05:22
07
Virtuous Circle
08:24
01
Larks Tongues In Aspic Pt IV
12:31
02
Deception Of The Thrush
09:00
03
Level Five
10:22
04
Elephant Talk
04:42

KC20011213NewYork1 - confiscated film

KC20011213NewYork2 - confiscated film

KC20011213NewYork3 - John Devitofranceschi

DISCOVER THE DGM HISTORY
.

1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
2020s
.