Whenever Crimson play this well-loved classic listeners always have their favourite parts. For some its the anthemic chorus, others its colourful imagery of the words. For these ears, it’s always the duet between the bass guitar and flute. Different every time and not without a sense of jeopardy from time to time.
Whenever Crimson play this well-loved classic listeners always have their favourite parts. For some its the anthemic chorus, others its colourful imagery of the words. For these ears, it’s always the duet between the bass guitar and flute. Different every time and not without a sense of jeopardy from time to time.
Recordings from this show on Radical Action to Unseat the Hold of Monkey Mind
This show must have been magical in person because it's pretty close on video and audio recordings! From what I've been able to tell from watching the footage on Radical Action (to Unseat the Hold of Monkey Mind), the following performances on that release are from this show:
Larks' Tongues in Aspic, Part One
Radical Action (to Unseat the Hold of Monkey Mind)
Meltdown
Radical Action II
Level Five
The Hell Hounds of Krim
The Talking Drum
Pictures of a City
Banshee Legs Bell Hassle
Eas...
This show must have been magical in person because it's pretty close on video and audio recordings! From what I've been able to tell from watching the footage on Radical Action (to Unseat the Hold of Monkey Mind), the following performances on that release are from this show:
Larks' Tongues in Aspic, Part One
Radical Action (to Unseat the Hold of Monkey Mind)
Meltdown
Radical Action II
Level Five
The Hell Hounds of Krim
The Talking Drum
Pictures of a City
Banshee Legs Bell Hassle
Easy Money
A Scarcity of Miracles
Red
Epitaph
Starless
The Court of the Crimson King
21st Century Schizoid Man
"Peace" may also be from this show, but I am unable to confirm based on the footage. It would be lovely to actually see a list of where the remaining songs were recorded. The only other one that has been stated is "The Light of Day" from Sept 9th 2015.
