Wow - the DGMLive debut of Jamie Muir era Crim. Following some warm-up shows in Germany (documented on KCCC20) and a one-off date in Redcar in October, the new line-up of King Crimson took to the stage of Hull’s Technical College to unleash a ferocious sound. The abrasive mixture of freshly composed material and off-the-top-of-their-head excursions into improvised territory was a dynamic and often challenging combination.

Things are clearly still in development. LTIApt 1 has a rockier feel to it and is at this point still awaiting the familiar coda. The big improvised set-pieces shed light on the protracted nature of KC’s compositional techniques as licks from Fallen Angel and Doctor Diamond are thrown and tossed about long before they were ever distilled into songs.

Even the tuning problems which plague Exiles fail to dint the excitement of the show. First night nerves are also evident in the execution of some cues and corners of tracks which sound very familiar to our ears now but were brand spanking new on the night in question.

The murky sound of this complete audience recording won’t be to everyone’s taste, and of course the audio medium fails to convey the full anarchic presence of Jamie in full blood-spurting flight.

However, its availability on DGMLive is more than justified by the historical importance of the show which one reviewer described as "a riveting performance."
TRACK
TIME
01
Walk On No Pussy Footing
02:06
02
Larks Tongues In Aspic Pt I
10:10
03
Book Of Saturday
03:23
04
Announcement
01:42
05
Improv I Vista Training College Under Spot Light
29:31
06
Exiles
07:52
01
Easy Money
07:21
02
Improv II
09:22
03
The Talking Drum
04:49
04
Larks Tongues In Aspic Pt II
10:03
05
21st Century Schizoid Man
16:30

KC19721110Hull

KC19721110Hull2

Written by Samuel Langer
Good sound for an audience recording
Although it is an audience recording, it sounds very good and all instruments are clearly heard. Yes, that is a 29-minute improv and it's great! Fairly comparable to the Rich Tapestry of Life from Beat Club. If you are looking for a decent-sounding concert to start off with in the Muir era, you should get Newcastle and then this one. The recording device is not moved around which is great, and it's overall an awesome performance. Both improvs are great, and Improv II is named "Fallen Angel Hulla...
Written by Matthew torres
good but not great
great show all the energy is there but this shows audio could use a touch up i feel. It’s almost there at a point where it’s good but just not and lacks a lot of the little Jamie muir that made his presence so important in the early larks lineup.
Written by Cary Krosinsky
needs someone's magic touch
this recording is not at normal speed listen to the (amazing) Newcastle 72 LTIA part 2, and then the same song on this recording, and the speed being off on this Hull recording becomes crystal clear - listening to this on VLC Media Player using the Faster (fine) setting and it sounds amazing! I must be the only person in the world who has properly heard this concert! DGM folks, check this out, you may be able to re-release this one with a bit of a proper (better than I can suggest) magi...
Written by Orlando Guedez Calderin
Difficult download but...
... It worths it. Well, I do wonder if I am not that good with software, but I truly think the music by Mr Fripp could also be sold through merchants like Amazon, iTunes or 7digital which do know how to trade MP3 files and manage easy downloads. Appart from that nasty experience of downloading, the music is REMARKABLE. To get the 1972-74 line-up of KC with Mr Muir in percussion is a must and this record adds GREAT jams and improvisations. It is a treasure and I just hope Mr Fripp opens his vault...
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