The marvelous thing about Mister Stormy blowing the dust off the multi-tracks is that we get to hear a little of the processes involved in the recording of albums we know and love. It makes one consider how different the piece we think of as forever preserved in aural amber somehow made malleable and prone to radically altered outcomes had the decision made during the mixing been different. So this is an alternative reality version of Prince Rupert’s Lament from Lizard. Not only do we have a different guitar solo (there were four takes in total) but, as we can hear, there was another guitar accompanying the bass providing extra harmonic information and some mood-shifting colour. This is in keeping with Fripp’s approach during the making of an album, placing a kind of musical scaffolding in the early stages of building up a track, and then remove it all for the final unveiling of the finished piece.

This track is now available as part of Mr Stormy's next bumper collection. His fourth year of treasures from the murky, cavernous DGM archives, torch in hand, fedora upon his head is now available for download.

AUDIO SOURCE: Multi-Track Tapes

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

TRACK
TIME
01
Lizard
02:44
Written by Tim Gainer
Prince Rupert is Smiling
You can tell Fripp’s just getting warmed up on this take. It still doesn’t have the full ferocity of the final master but still sheds light on the Beast yet to emerge. BTW, I’m with the rest - I still consider Lizard to be a watershed work of musicianship; to hear these snippets from this album makes me want to hear the whole session.  
Written by Hubert Van Calenbergh
Utterly beguiling
This piece certainly makes my day. Lizard has always been my favourite Crimson album and I only wish Mr Fripp would be willing to issue a Lizard box with all the bits and takes that didn’t end up on the final product - like the Beach Boys did with Pet Sounds. I’m probably not the only one here who thinks those first four albums are the best. I’m inordinately fond of the subsequent Starless period, mind, but I consider Lizard a crowning achievement. Thank you, and keep them coming!
Written by George Chacona
Another missing link
This is an absolute jewel. This solo, and the section where Jon Anderson sings over Keith Tippett’s glistening arpeggios have always been my favorite parts of the original Lizard.It is quite surprising this didn’t make it on the 40th Anniversary set, though I am building an ’Alternate Lizard’ with the Hot Tickles we have been given.Thanks for providing us with these sonic glimpses of incredible music.
Written by Dan Buxbaum
Sustaining!
Concurring heartily with previous reviews! I’ve actually "always" loved Lizard (and felt the initial stereo mix and mastering was *state of the art* for 1970 (especially the drum sound!) so i haven’t quite understood all the hubbub over the new Steven Wilson mix enabling this album to be heard clearly and spatially ’correct’ for the first time (in regards to his new stereo mix anyway); 5.1 will have to wait for this sonic resistor.Getting back to the alternate take selection at hand, it would be interesting to know the order or number of each of the four solos recorded for Prince Rupert’s Lament (obviously we DGM visitors have only heard this alternate and the master so far of course). This particular alternate solo sounds slightly ’busier’ than the master (could this have been an earlier take?), and is as equally as valid, with perhaps a fadeout beginning at approximately 2:00 and ending at 2:12 on that long sustained note/bend being effective (on the alternate reality master/album) before Big Top kicks in.I agree with the choice of removing the clean chordal accompaniment for the album--its presence makes the solo sound not quite lamentable enough--but is very interesting in this context to hear what RF was originally playing/listening/responding to.
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