December 5 1977, Monitor Mixes

AUDIO SOURCE: Quarter Inch Reel to Reel Tape

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

Blimey - the one that got away! A couple of monitor mix nuggets from the Exposure Power Trio of Collins, Fripp & Wetton. To these ears, the descending theme sketched out by the terrific trio is one that hasn't been subsequently recycled. Yet another "oh,what if" moment which you'll enjoy hearing them rip it up, tear it down and almost every other cliche in the rock writer's lexicon - up to and including "smokin'"

This track is available for download as part of a bumper collection of Mr Stormy's Monday Selections Volume Three - Yes, his third year of treasures from the murky, cavernous DGM archives, torch in hand, fedora upon his head.
December 5 1977, Monitor Mixes

AUDIO SOURCE: Quarter Inch Reel to Reel Tape

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

TRACK
TIME
01
Idea Slow Drums
02:29
02
Idea Fast Drums
01:19
Written by Edgar Kausel
First song
The riff has a feel of "Vroom" the first track from Thrack.
Written by Bogdan Ataman
Slow & Fast.
Could anybody patiently explain me, a poor stupid, december of what year ? 1977 ??? Anyway fantastic drums, both slow and fast.
Written by Matthew Harris
Another Stormy Selection Gem with Fab-Foot-Phil.
This is another gem for us Exposure era completists.  This one seems to have a bit different flavor to it which makes it a great addition to the nice little collection of Exposure outakes that Mr. Mundy has given us through his selections.And Phil Collins- Here’s a guy who, if you rolled back the clock to 1976 or so, you would have sufficient respect for as a great drummer more than filling his role in a great prog rock band.  If you only rolled the clock back to 1982 or so he would ...
Written by Orn Orrason
What a rhytm section
This track shows how interesting drummer Phil Collins is (or was).  He could have made a good career as a drummer alone.  I would had loved to see this trio develop, but  I am not sure how Fripp would have fit in at this time as he was obviously as far from jazz improvisations style of playing as the moon is from earth. The feeling is therefore that this didn´t fit at this time.  Phil was all into jazz fusion during 1977 because of his extraordinary work with Brand X. The 19...
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