DGM Live

TRACK	TIME
Threshold Bells	01:03
Time Stands Still	11:19
Queer Space Harmonic Minor	04:17
Threshold Bells Future Shift	01:45
Queer Space Symmetrical	05:58
At The End Of Time	13:40
Evensong	08:17
Evensong Coda	13:01

DATE	CITY	VENUE NAME
2006-08-22	Tallinna	Pühavaimu kirik
2006-08-23	Pärnu	Eliisabeti kirik
2006-08-24	Haapsalu	Lossikirik
2006-08-25	Viljandi	Jaani kirik
2006-08-26	Tartu	Jaani kirik

Written by Stefano Marano

Excellent music ! (English version)

I make excuses myself in the first place for English, but I do not know it ! I have made translate my thought from a system automatic rifle. I must express my best ones compliments to an artist like Robert Fripp which, once again astonishes to us and it makes us to dream far and serene and above all restless worlds! From Italian yours fan! Robert Fripp is Best!

Written by Douglas Czajkowski

Excellent!

Personally, I do not find this music to be darker. Deeper is a better description. I’ve been a fan since the Frippertronic days and for me this is amoung the best I’ve heard so far. It’s right up there with Blessing of Tears.

Written by Michael Millington

Wow

This is one of the most compelling listens of all the soundscapes. Sid was not exagerating one bit. Robert really puts forward some new material on themes that have been established for almost a year. This performance provides the best use of space I have heard yet. The entire performance is more tranquil, and dark. Especially on At the End Of Time, and Even Song. This performance cant be listened to just one song at a time, the whole performance is essential to understanding the feeling. I woul...

Written by Diego Chersicola

a longer sense of the time

A slight and inevitable return, just as a partial vision, to some fifteen years ago to a minor but well known threnody, just when the destiny of the old earth was apparent to a very few. It is of great consolation to trust somebody who can hold in front of himself a longer sense of the time, and who does remember what we all got through. any series of soundscapes seem like a painful transition to the next in retrospective but this one are an example of the best possible synthesys so far. we fe...

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