Music Is Our Friend - named after the tour from which the performances were taken - is an official bootleg featuring all of King Crimson’s final performance in North America at Washington in September, 2021. The 2CD set is completed with four pieces from the first concert of the tour’s second leg in Albany. Taken together, these tracks represent both a beginning and an end of a tour that took place despite almost insurmountable issues.
Originally scheduled for 2020, postponed for a full year because of the pandemic, the tour began July in Florida as the latest Covid wave hit and the band moved across the country in a tour bus bubble. Following a two-week break due to scheduling conflicts, they returned to the road again, with the Zappa Band appearing nightly before Crimson. Now facing gigs that had to be moved due to extreme weather, with one venue flooded a day before a concert, an open-air venue in New York transferred to the more familiar Beacon Theatre, and even a band member flown to hospital via helicopter, King Crimson faced a range of challenging conditions. Happily, the band member was fully recovered and no gigs were missed despite the array of setbacks and obstacles. By the time King Crimson reached Washington, the band was in ferocious form with a powerful, energetic set with some arrangements reworked and differing from previous tours.
Featuring a restored middle section of ‘Larks’ Tongues In Aspic Part One’ that had not been played since 1973, substantial keyboard arrangements, Tony Levin on upright bass during ‘Neurotica’ giving the piece an extra swing, there’s an emotional set-closer, Starless and an immensely powerful ‘21st Century Schizoid Man’ as an encore.
King Crimson completed their tour in style and to much acclaim from fans and critics alike. As Robert Fripp notes in his diary entry included in the notes: “David (Singleton, KC manager/producer), pointed out that the very first piece KC played in the US, at Godard College, Montpelier, Vermont on October 29th. 1969, was the same piece as completed KC’s 52 years – 21CSM”.
In contrast to the Washington show, the four performances from the ‘Friends and Family’ concert in late August 2021 at The Egg in Albany, opening show of the second leg of the tour and the same venue where the current band played its first US gig in 2014, have a more intimate feel. As befits a small venue/invited audience, the sound and pacing provide an opportunity to hear a run of material not played in Washington due to time constraints. Bringing the second disc with a poignant performance of ‘Islands’ – perhaps the best recording of this song by this band, David Singleton, who also prepared all the audio for this release, thought it one of the best sets the band played on this or previous tours.
Music Is Our Friend - named after the tour from which the performances were taken - is an official bootleg featuring all of King Crimson’s final performance in North America at Washington in September, 2021. The 2CD set is completed with four pieces from the first concert of the tour’s second leg in Albany. Taken together, these tracks represent...
David once said this was the show that hit for the tour. Robert said "if this was the last performance of King Crimson in America, I could accept that."
Something deep happened - even more so than NYC a few days earlier: Epitaph performed in DC on the 20th anniversary of 9/11. It hit. It hit me HARD. I'm not sure if the non-Americans on the band really realized that's a factor of what happened for us here who lived here on that front line. I personally was just shattered in tears. No memories...
David once said this was the show that hit for the tour. Robert said "if this was the last performance of King Crimson in America, I could accept that."
Something deep happened - even more so than NYC a few days earlier: Epitaph performed in DC on the 20th anniversary of 9/11. It hit. It hit me HARD. I'm not sure if the non-Americans on the band really realized that's a factor of what happened for us here who lived here on that front line. I personally was just shattered in tears. No memories (and I have PLENTY of memories of 9/11). Just the moment. A sense of closure and release I didn't think was ever going to be possible.
But even before that, they immediately had a focus that was drawing everybody in. I was off to the side where the food/drink workers were, and even they just...froze, when Larks 1 really kicked in on the guitar speed runs. One cashier openly said to me she'd never heard anything like it in all the months of working at the venue.
It is easy to ignore music that's 'good' but 'not my thing'.
This night, from the very first movement, the band, the music, King Crimson itself GRABBED the audience, even the strangers among them, and was not going to let go. People listening in the room for whom Crimson would never be on their radar were gripped by what was happening, right from the beginning. It was not going to be ignored.
And it only got deeper from there.
