“I had the idea to play in twenty-seven,” Gavin explained to Modern Drummer magazine. “It’s three bars of seven and one bar of six…Bill was the third drummer, and against the twenty-seven, he could just play in nine, [since] there are three nines in twenty-seven. And I break the three sevens and a six to join Bill in the three nines. It’s a gentle, simmering little electronic piece.”