Short but exceptionally sweet Robert’s first session at the Musical Box finds him layering long warm radiant notes. By contrast the second slightly longer loop offers a more pensive sonic panorama, with the repeated picked note that he utilised on the same day’s Music For Palaces making another appearance It’s interesting to hear them moving in and out of time with each other, almost flirting with the notions explored in the phase-music of Steve Reich. The conclusion is a remarkable slow-motion LTIA pt 2-style coda that sadly cuts out before it can reach its final cadence.
Short but exceptionally sweet Robert’s first session at the Musical Box finds him layering long warm radiant notes. By contrast the second slightly longer loop offers a more pensive sonic panorama, with the repeated picked note that he utilised on the same day’s Music For Palaces making another appearance It’s interesting to hear them moving in and...
