Teatro Independencia
It’s interesting to hear the careful layering of the various harmonic elements and the way the melodic content enters so stealthily, almost creeping up on the listener. Even road-hardened guitar tech, Biff Blumfumgagnge, was caught up in the emotional swell underpinning much of the final piece.
Fripp’s diary notes: ”A strong performance with moments of intensity, with a very different sense to yesterday.
People were still wandering in at 22.00, in the Argentinean fashion. And we were asked to delay our beginning. This we declined – punctuality is our standard – so the opening Soundscapes became walk-in music, which I mucho enjoyed playing.
The final Soundscapes: revisiting the Pastorale area with a new approach. It had Biff in tears, he commented afterward. This is not a new response by audiences to Soundscapes, although it is commonly accompanied by shouted suggestions.”
Fripp’s diary notes: ”A strong performance with moments of intensity, with a very different sense to yesterday.
People were still wandering in at 22.00, in the Argentinean fashion. And we were asked to delay our beginning. This we declined – punctuality is our standard – so the opening Soundscapes became walk-in music, which I mucho enjoyed playing.
The final Soundscapes: revisiting the Pastorale area with a new approach. It had Biff in tears, he commented afterward. This is not a new response by audiences to Soundscapes, although it is commonly accompanied by shouted suggestions.”
