Orchard Hall
There’s something very special about Tony Levin’s use of upright bass in Crimson generally but in The Letters, it shares a dark space with Collins’ baritone sax that's richly satisfying. The stark transition from the turbulence of the improvised section to the pin-drop silence of the final verse remains one of the most impressive points in the setlist.
- Robert Fripp - Guitar
- Jakko Jakszyk - Guitar, Vocals
- Mel Collins - Saxes, Flute
- Tony Levin - Basses, Stick, Backing Vocals
- Pat Mastelotto - Acoustic And Electronic Percussion
- Gavin Harrison - Acoustic And Electronic Percussion
- Jeremy Stacey - Acoustic And Electronic Percussion, Keyboards
- Bill Rieflin - Mellotron, Keyboards, Fairy Dusting
