Modjeska Theatre

“That’s what I say every morning when I do my hair,” says Belew after Happy With What You Have To Be Happy With, adding “This can’t possibly be Sunday. It feels like Friday!!!”

There’s definitely a loose-limbed, up-for-a-good-time vibe across the show but how about that thoroughly ornery Level Five earlier? Sounding like Satan’s anvil being hammered in the red-hot halls of Hades, it’s an amazing performance.

Elsewhere in this show, we get another chance to hear that special version of One Time running into The Power To Believe Part II and back into the reprise of One Time but, but but. . .

Isn’t it always the way? The band is cooking, the energy is all there and the performance feels like it’s going somewhere else altogether, and then. . . the machine recording the whole shooting match decides to conk out.

Tragically that’s what happens a little short of six minutes into an absolutely scorching Larks’ Tongues In Aspic Pt IV, missing out on the final reprise of the theme and disposing of the coda in its entirety.

Still, it’s not like there aren’t other versions from other nights available but nevertheless frustrating if you were there on the night and were hoping to reacquaint yourself with the Crims and LTIA IV in full flow. But when the rest of the show is such an absolute cracker as this, what’s a little unexpected silence between pals, eh?
TRACK
TIME
01
Introductory Soundscape
06:11
02
The Power To Believe I
00:43
03
Level Five
07:25
04
Happy With What You Have To Be Happy With
03:47
05
The ConstruKction Of Light
08:55
06
ELEKTRIK
08:04
07
Eyes Wide Open
04:17
08
Facts Of Life
05:41
09
One Time
04:21
10
The Power To Believe II
06:58
11
One Time (Reprise)
02:37
12
Dinosaur
06:50
13
Dangerous Curves
06:11
14
Larks' Tongues In Aspic Part IV (Incomplete)
07:46
15
The Power To Believe III
08:36
16
The Worlds' My Oyster Soup Kitchen Floor Wax Museum
09:11
17
VROOOM
06:22
DISCOVER THE DGM HISTORY
.

1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
2020s
.