Kiel Auditorium St Louis

King Crimson fans are well-used to coping with the turgid sonics that comes baked into some audience recordings that find their way into the DGM archive. Although nearly unlistenable, we still savour the leaps in ambition, initiative, and inspiration that spring forth from players walking the tightrope between hazard and heroism. Some boots however defy attempts to restore even a sliver of life into their twitching form and this gig is one of them.

There are some interesting, if unintentional, byproducts of listening to a tape where the blunt force trauma of distortion crushes everything into a murky broth; David Cross’s elegiac violin in the ‘water section’ of Larks’ Tongues In Aspic Part One is wreathed in a halo of reverb, whose ghostly shimmer adds a kind of haunting melancholia. It’s oddly beautiful, like a memory of a summery tune only half-recalled on a winter’s eve.

It’s an unexpectedly lovely quality that attaches itself to Exiles. Even the improv, which for the most part sounds as clear as listening to braille, becomes transformed into a series of cathartic swells in volume, something to be felt rather than listened to.

All of this, however, is to find the silver lining in some very dark rumbling clouds indeed. Preserved and presented here for completeness, it’s one that only the most die-hard Crimhead collector will want.
TRACK
TIME
01
Doctor Diamond
04:30
02
Larks' Tongues In Aspic Part I
10:50
03
RF Announcement
02:08
04
Easy Money
07:23
05
Exiles
07:37
06
Improv
08:07
07
The Talking Drum
04:48
08
Larks' Tongues In Aspic Part II (Incomplete)
05:09
Written by Chris Inguanta
5 stars for the playing, 2 stars for the quality
I actually enjoy listening to historical shows such as these, no matter how they sound. Very murky, and for real fans only, of which a lot of them visit this site. It's almost like some of the shows I went to in the past.
Written by John E Torregrossa
Not As Bad As Expected
While it's true that this is not the best sounding recording, I believe that years of listening to crappy sounding airshots recorded on ancient equipment of the likes of Bird, Miles and Diz from the 1940s have stopped me from paying more attention to the quality of sound than the quality of music. That being said, the greatness of this band shrines through on this recording, as I fully expected. I'd say that Mr. Stormy's diligent fairy dusting has done a fairly decent job of bringing that out ...
DISCOVER THE DGM HISTORY
.

1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
.