DGM Live
Eliisabeti kirik Estonia

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Eliisabeti kirik Estonia

Fripp’s year had been dominated by Soundscaping. In January his first public performance of the year took place at All Saints Church in Broadchalke, and from there across to America for a series of ‘scape shows during February and March. After some dates in May as a member of Bill Rieflin’s Slow Music Project, he embarked on eight performances in English churches and Cathedrals during June. During the second performance in Estonia, there’s a frostier, darker element discernible than the previous evening, especially in the Queer Reflection Whole Tone/ Queer Jazz Symmetrical Sequence, where the solo voicing seems especially brittle and vulnerable against the vast slow-moving flow of icy, brooding chords. Of the show at Eliisabeti kirik, Fripp notes, “A quiet, supportive and generous audience. A gentle evening.”
Eliisabeti kirik Estonia

AUDIO SOURCE: Direct Hard Drive

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TRACK
TIME
01
Threshold Bells
01:11
02
Time Stands Still
14:31
03
Queer Reflection Whole Tone
06:02
04
Threshold Bells Future Shift
00:52
05
Queer Jazz Symmetrical
16:21
06
Ant The End Of Time
13:28
07
At The End Of Time Coda
12:24
DISCOVER THE DGM HISTORY
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The next step is Discipline
The 1980s see a very different King Crimson incarnation originally touring under the name Discipline . The presence of Adrian Belew meant that Robert Fripp was working for the first time with another guitarist. This incarnation of Fripp, Belew, Bruford and Levin becomes the first one to record successive studio albums with the same lineup.