Eliisabeti kirik Estonia
Fripp’s year had been dominated by Soundscaping. In January his first public performance of the year took place at All Saints Church in Broadchalke, and from there across to America for a series of ‘scape shows during February and March. After some dates in May as a member of Bill Rieflin’s Slow Music Project, he embarked on eight performances in English churches and Cathedrals during June. During the second performance in Estonia, there’s a frostier, darker element discernible than the previous evening, especially in the Queer Reflection Whole Tone/ Queer Jazz Symmetrical Sequence, where the solo voicing seems especially brittle and vulnerable against the vast slow-moving flow of icy, brooding chords. Of the show at Eliisabeti kirik, Fripp notes, “A quiet, supportive and generous audience. A gentle evening.”
