A storming version of industry with Belew at his pointillistic, abstract best, coaxing all manner of elliptical sounds which are probably not recommended by the makers of the guitar or his pedalboard set-up. The track creates its own space and time in which Crimson glowers and scowls. Belew’s distorted voice in the verse sections of Dig Me continues the brooding intense atmosphere. There’s a sprightly yet thunderous rendition of Sleepless to savour although Man With An Open Heart has a heart-stopping moment as Belew realises he’s using the wrong guitar and the song has to be restarted. Also of interest is a wild Sartori and a rumbling version of Discipline.
The quality of this audience recording isn’t too shabby though close listening reveals there’s something of an ongoing albeit enthusiastic commentary in the quieter sections.