Wow
This perhaps shouldn't work as well as it does, but it's stunning. Thanks Stormy for the xenochrony!
Mister Stormy hasn’t just blown the cobwebs off one recording but in this bespoke mix comes up with a brand new setting for three separate sources.
Opening with the radiant swelling of Robert’s soundscapes from Somerville 24 June 2005, a gently loping beat from Pat Mastelotto with accents from Bill Bruford taken from the aborted Nashville rehearsal sessions in May 1997, become the foundation of the piece.
The appearance of a Fripp guitar solo from a 1981 Frippertronics performance, suddenly adds focus and fire, forging three distinct moments in time into one powerful and emotional place.
Opening with the radiant swelling of Robert’s soundscapes from Somerville 24 June 2005, a gently loping beat from Pat Mastelotto with accents from Bill Bruford taken from the aborted Nashville rehearsal sessions in May 1997, become the foundation of the piece.
The appearance of a Fripp guitar solo from a 1981 Frippertronics performance, suddenly adds focus and fire, forging three distinct moments in time into one powerful and emotional place.
