How do make a heavy riff altogether darker and heavier? Why add Mel Collins on baritone sax, of course! Also a round of applause for the Mastelotto-triggered sample of the handclaps adding yet another layer of detail that only this version of Crimson could pull off. Of those live-triggered handclaps Pat comments, "The best part of playing them is I get to sit sideways and I can watch Robert smile while Mel solos."
