offers a knowing wink to the audience who undoubtedly enjoy the deliberate wobble on the high-wire act. The audience at Victoriaville are supportive and keen as can be heard at the end of Circulation III where they are eager to show their appreciation in final three gaps, and again (though this time more playfully) at the end of Circulation IV. This DAT recording captures the spacious nature of the venue and whilst it works well enough for the combined might of the guitars, Patricia Leavitt’s soulful voice can sound a little remote. That said, the cascading melody she introduces around the one-minute mark of Your Mary is simply sublime.