Eliisabeti kirik Estonia

AUDIO SOURCE: Direct Hard Drive

DGM AUDIO QUALITY

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Fripp’s year had been dominated by Soundscaping. In January his first public performance of the year took place at All Saints Church in Broadchalke, and from there across to America for a series of ‘scape shows during February and March. After some dates in May as a member of Bill Rieflin’s Slow Music Project, he embarked on eight performances in English churches and Cathedrals during June. During the second performance in Estonia, there’s a frostier, darker element discernible than the previous evening, especially in the Queer Reflection Whole Tone/ Queer Jazz Symmetrical Sequence, where the solo voicing seems especially brittle and vulnerable against the vast slow-moving flow of icy, brooding chords. Of the show at Eliisabeti kirik, Fripp notes, “A quiet, supportive and generous audience. A gentle evening.”
Eliisabeti kirik Estonia

AUDIO SOURCE: Direct Hard Drive

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

TRACK
TIME
01
Threshold Bells
01:11
02
Time Stands Still
14:31
03
Queer Reflection Whole Tone
06:02
04
Threshold Bells Future Shift
00:52
05
Queer Jazz Symmetrical
16:21
06
Ant The End Of Time
13:28
07
At The End Of Time Coda
12:24
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