The Agora in Ohio had previously played host to King Crimson in 1971. However, on the 20th date on King Crimson’s first North American tour of 1973, the line-up here is very different indeed. If you wanted to know precisely how different you need only listen to this bass-bossed version of Larks’ Tongues In Aspic Part I.
Wetton doesn’t so much play the piece as maul and beat it into submission. That impression is prompted in part by the booming nature of this audience recording and Wetton’s omnivorous playing which threatens to overrun the track entirely. Still, it gives you a ringside seat of what the man was capable of in his prime.
The intro to Doctor Diamond, with its descending bass notes, sounds like a quarried hillside being detonated but thanks to Mister Stormy’s tender care, one’s ears become accustomed to aural assault and there’s some exciting thrills and spills to be had. Chief amongst those is the improvisation after Doctor Diamond.
Although the start is missing, the ominous nature of the mood is unmistakable and we can hear David Cross on viola making some bold interventions between the bass and horror-soundtrack Mellotron. The piece quickly accrues pace driven along by Bruford’s unerring snare work. It’s one of those classics that feature a rocking four to the floor section that somehow seamlessly slips into an amorphous section that will have had the audience figuring that it was an entirely composed piece such is the precision control on display.
The second improv emerging out of Easy Money only adds to the impression of a group that can conjure near-miraculous acts of musical telepathy out of thin air. There’s a gorgeous ballad with rhapsodic violin and Wetton playing with a descending line that would later be codified into Trio later in the year in Europe.
Despite the sonic limitations and incomplete versions of Exiles and Easy Money and a truncated Talking Drum, this is another testament to the awesome quality of this quartet.
The Agora in Ohio had previously played host to King Crimson in 1971. However, on the 20th date on King Crimson’s first North American tour of 1973, the line-up here is very different indeed. If you wanted to know precisely how different you need only listen to this bass-bossed version of Larks’ Tongues In Aspic Part I.
Wetton doesn’t so much p...
While a bit lo-fi this recording seems to give off the impression of a radio performance. The instruments are far too up front and clear to be any sort of audience recording, and the volume of the bass further gives me this impression. This recording is definitely not for those with weak ears but that being said it is one of the better tapes from this part of 1973, and is a very good listen.
Written by Jonathan Wilson
Best played loud
In days of old when knights were bold and DGM wasn’t invented there was little of the 72-74 to be had excepting USA, the Amsterdam concert (Night watch) and the longtime out of print TGD which was rare as hen’s teeth for many years.
So those of us who loved this period were driven to look elsewhere for trails of breadcrumbs and I remember being intrigued by a comment about the bootleg of the Club Agora sound quality being Grade D: execrable! This was the most damning of all the bootleg desc...
In days of old when knights were bold and DGM wasn’t invented there was little of the 72-74 to be had excepting USA, the Amsterdam concert (Night watch) and the longtime out of print TGD which was rare as hen’s teeth for many years.
So those of us who loved this period were driven to look elsewhere for trails of breadcrumbs and I remember being intrigued by a comment about the bootleg of the Club Agora sound quality being Grade D: execrable! This was the most damning of all the bootleg descriptions on, I think, the old Elephant Talk site (can’t be sure).
However whilst writing this and the wife is out, I am playing it loud, and boy it is good.
Anyhow, as usual, Sid’s description is right on the money and although it is more of a completists purchase it is absolutely not Grade D after Alex has once again worked his magic. Early 73 is my favorite Crimson era and I am very grateful to have this one in my collection Thanks Alex.