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 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 starsFruit Of The Fripperboard   February 5, 2012
Written by happypig

This is the essence of Robert Fripp’s Guitar Work, for me, at least. The interlocking stuff, the complex-timed constructions, the Soundscapes, I wait (and sometimes suffer) through all of that to get the smidgen of this. Solos like the "Hammond Song", like "St. Elmo’s Fire"-A sui generis tone, playing melodies not based in the blues, but having just as much emotion. The few notes of "Heroes" says more than all the notes of all the shredders together. A reviewer once wrote "Withering" and I couldn’t agree more.

I often wanted to attend a Guitar Craft course, just for the chance  to ask RF a "burning question" -"Why are you so parsimonious with these gems?" The Frippertronics shows of yore were rich with the melodic solos, but they really shine as part of a song. A fantasy of mine would put RF in a studio with Art Garfunkel or Aaron Neville, a piano trio (preferably Larry Goldings) and new songs by people who know better.  Produced "audio verité" style. That guitar with those voices, in that setting. Traditional and cutting edge simultaneously. And I’ll bet that record would shift a few units as well.

But I digress...

I do not mean to dismiss the larger portion of RF’s work, but the "Gamelan Guitars" start to sound like The Hanon and Czerny exercises I had to endure as a student. The Soundscapes remind  me of Tangerine Dream and Eno’s ambient stuff. The aleatoric-ish Crim tunes sometimes sound like they are dense and difficult for their own sake. I continue to buy Crim and Fripp-related music because I am assured that there will always be something that will interest me therein, and there is always a chance that there will be some sort of Fripp melodic moment contained.

2¢ deposited, Soapbox collapsed. And if anyone has Art or Aaron’s phone number, pass it over to RF-I have Larry’s...


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Fan Review
Love this German tour...   Sat., Apr 13, 2013
Posted by: jeffoaster
The concerts from the German leg of Crimso’s ’74 tour are all top notch, and all bring something special to the table. There are some interesting nuances to this show. There is nothing particularly special about the opening improv and Read more

Fan Review
Untouched By Response   Thu., Apr 11, 2013
Posted by: donhenson
It’s hard for me to imagine booing this music. This is sublime Soundscaping. Repeated listenings have revealed a beauty that is ineffable. Read more

Fan Review
Stunning Work!   Mon., Apr 8, 2013
Posted by: Clavius
This was a privilege to listen to. Read more

Fan Review
Contributing Trey   Thu., Apr 4, 2013
Posted by: fhc339835
This recording’s mix is clearly presenting Trey’s contribution to the double trio on right channel. Highly recommended (and headphones). Cheers Ps. of course, the rest beside Trey is fantastic as well :-) Read more

Fan Review
First Choice   Sun., Mar 24, 2013
Posted by: fhc339835
Just making my way through the 2013 dgm-bundle of double trio crimsoning, I come to a halt now in St. Petersburg, FL: Take a deep breath, wait, reflect - this was a really outstanding gig in a series of regularily excellent Read more

Fan Review
Thanks!   Tue., Mar 19, 2013
Posted by: dwayne
Been wanting to hear this for 31 years!! Much appreciated! Read more

Fan Review
Of Stick And Slit Drum   Tue., Mar 19, 2013
Posted by: syncopatico
I’d recognize that 17/16 pattern anywhere! Wonderful to hear *just* the "rhythm section" especially the modulation in the second half of the piece when Bill switches the percussion from the more genteel slit drum accents to the heavier boobams, rototoms Read more

Fan Review
Frippertronics meets Soundscpe   Sun., Mar 17, 2013
Posted by: jeremykeens
One of the many pleasures of this site is finally hearing the 1980s Frippertronics concerts: we had bought GSTQ, UHM and heard the loops & read that there were solos over Read more

Fan Review
A Testament to George Chkiantz   Thu., Mar 14, 2013
Posted by: syncopatico
Whenever I hear recorded evidence of King Crimson in 1973/74 I’m reminded of the superb audio recording/engineering talent(s) of George Chkiantz! Each instrument can be heard clearly in the overall mix: the guitar occupying its proper space, a full Read more

Fan Review
More please...   Wed., Mar 13, 2013
Posted by: jeffoaster
Judging by this performance and the Atlanta one the following week, Crimso were really on fire at this point - moreso than usual. While the sound quality isn’t pristine and has some occasional dropouts, it is certainly listenable Read more

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