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Previous Item   May 03, 1995  Next Item SOUND  VISION WORD
    Teatro Tenda    Florence, Italy
 
CD Cover Photo

Notes
A wonderfully confident beginning in Florence with Vrooom coming out a tad slower but without losing any energy. The benefits of this approach include Tony Levin’s upright bowed bass on the coda having the same space to chug up to the front of the sound. Frame is taken at a calmer pace so that the English guitarist in the group doesn’t have fingertips ablaze as a result of the double time phase shifts both during and at the end of the song.

A perfect One Time and an astonishingly vibrant Red auger well for the rolling and tumbling we get on B’boom; Bruford and Mastelotto really make this version come alive. During the improv section of Thrak Bruford executes some beautifully funky pockets but his buddies decline to lock in and get all freewheeling above the beat. As Bruf opts for his xylophone setting Pat keeps the groove going. It’s tight stuff throughout.

Indiscipline tonight is particularly incendiary and even the old warhorse, Elephant Talk, dances with a real spring in its step. Though there have been times when the inclusion of the percussion showcase Conundrum has dissipated the flow of the gig, The Talking Drum and LTIA quickly get things back up to speed. A brilliant performance from start to finish here.
 

Tracks
Disc Number 1
1.  VROOOM  [PREVIEW]  4.27
2.  Coda Marine 475  [PREVIEW]  2.51
3.  Frame By Frame  [PREVIEW]  5.23
4.  Dinosaur  [PREVIEW]  6.57
5.  One Time  [PREVIEW]  5.49
6.  Red  [PREVIEW]  6.17
7.  BBOOM  [PREVIEW]  6.22
8.  THRAK  [PREVIEW]  5.09
9.  Matte Kudasai  [PREVIEW]  3.52
10.  Sex Sleep Eat Drink Dream  [PREVIEW]  5.07
11.  People  [PREVIEW]  6.06
12.  VROOOM VROOOM  [PREVIEW]  5.20
Disc Number 2
1.  Indiscipline  [PREVIEW]  7.26
2.  Improv Two Sticks  [PREVIEW]  0.55
3.  Elephant Talk  [PREVIEW]  6.23
4.  Prism  [PREVIEW]  2.11
5.  The Talking Drum  [PREVIEW]  2.48
6.  Larks Tongues In Aspic Pt II  [PREVIEW]  8.11
7.  Walking On Air  [PREVIEW]  5.14

All previews are MP3 192kbps

Personnel
Adrian Belew - Guitar, Voice, Words
Bill Bruford - Acoustic and Electronic Percussions
Robert Fripp - Guitar
Trey Gunn - Touch Guitar, Voice
Tony Levin - Basses, Chapman Stick, Voice
Pat Mastelotto - Acoustic and Electronic Percussions

 


Audio Source: Dat Soundboard

DGM Audio Quality Rating:  out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 stars

Average Customer Rating:
 out of 5 stars4 out of 5 stars4 out of 5 stars4 out of 5 stars4 out of 5 stars5 out of 5 stars

Purchase Show
Download FLAC $12.95 (What is FLAC?)
Download MP3 $9.95
Purchase Tour (14 shows)
Download FLAC Tour $60.00 (What is FLAC?)
Download MP3 Tour $46.00

 

 

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Fan Reviews

 out of 5 stars4 out of 5 stars4 out of 5 stars4 out of 5 stars4 out of 5 stars5 out of 5 starsA standout show!, Mon., May 2, 2011
Written by JPrisco
Nice to hear the band strong right out of the gate -- nice audience presence between songs, and the band is more than ready to flatten hairs. However: if your sole raison d’etre is to be Fripped out, you may at times find Mr F insufficiently dominant in the mix. On the other hand, this is a very good Band Mix, revealing the doings of the Mighty Gunn without drowning the drums in the process.

If any one performer dominates, it might be the Hairless One, though even he struggles to be heard under the delightfully grim guitar weight of "Red" -- a performance so intense that it appears to exhaust our Noble Vocalist (despite not singing!). Fortunately he recovers his breath by "Matte Kudasai", which makes no sense at all because the intervening material smoulders and explodes with all the danger we expect.

After hearing the deepened presentation of the later shows, it’s clear these May ’95 shows have their own quality in fresh enthusiasm. "One Time" is indeed breath-takingly perfect, and Mr Levin’s bowed bass drives "THRaK" into "aTTaK" mode.

In the brown view, we find the occasional-if-brief excessive politeness in some spots mid-show. Sound does seem to clip a bit on the more VROOOMy portions, which to my ears just makes it more genuine. After all, if I wanted safe Crimson, I wouldn’t be listening to this ... a keeper all around with plenty of highlights.



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